This is a professional level comprehensive children's book class. Will & Jake have spent their careers learning the craft of visual storytelling and applying it in animation and children's publishing. They have both illustrated books for major publishers including Scholastic, Random house, Harper Collins, Penguin, Macmillan, Simon & Schuster, Leap Frog, Harcourt, and Klutz among many others. They've been compiling information, principles, lessons, demos, and techniques to teach you everything you need to know to illustrate a children's book.
This class is broken down into two parts:
- Part 1 - Creating the Artwork (YOU ARE HERE)
- Part 2 - Business and Marketing.
In Part 1 we will give instruction concerning the development of the content of your illustrations. We will not focus on mediums so this is NOT a digital or watercolor class - rather it will teach you the more intellectual decision making behind what you choose to illustrate - it is a class for everyone working in any medium. We will focus on making the art for printed children's books but will not teach how to make ebooks or story apps.
Part 2 will cover all things related to successfully selling books and managing your business affairs related to children's books. We will cover the preparations for submitting and marketing your stories and work to publishers. It will be useful for those interested in self publishing but - we will not teach marketing for self publishing.
Sheila Keenan is an established editor in children's book publishing and author of fiction and nonfiction for young people. She has served as Editor at Penguin, Senior Editor at Abrams and Executive Editor at Scholastic. Her latest book, Dogs Of War, is a graphic novel of historical fiction based on the role of dogs in the military. She collaborated with David Macaulay on “How It Works,” his new illustrated nonfiction series for beginning readers. Sheila lives in New York City with her artist husband Kevin Duggan. They are currently working together on a new picture book about a whale rescue.
Chad W. Beckerman is the Creative Director at ABRAMS, where he oversees picture books, novels and graphic novels under the Abrams Books for Young Readers, Amulet Books, Abrams Appleseed and Abrams ComicArts imprints. He is the designer behind such successful children series as Diary of a Wimpy Kid, Origami Yoda, NERDS Nathan Hale's Hazardous Tales, Frank Einstein and The Terrible Two. He has been a judge for several illustration competions such as Society Of Illustrators Annual 53, Communication Arts Illustration Annual 54: 2013, American Illustration 32, 2014 SCBWI New York Show Illustration Judge and the New York Book Show 2104. He has worked with a variety of illustrators from John Hendrix, Nikki McClure, Sophie Blackall, Jillian Tamaki, Yuko Shimizu, Dan Santat, David Shannon, Jen Corace, Harry Bliss, and Julia Denos to name a few. He studied illustration at the Rhode Island School of Design.
Stephen Fraser joined the Jennifer DeChiara Literary Agency as an agent in January 2005. He worked most recently at HarperCollins Children’s Books, where he edited such creative talents as Mary Engelbreit, Gregory Maguire, Michael Hague, Ann Rinaldi, Kathryn Lasky, Brent Hartinger, Stephen Mitchell, and Dan Gutman. He began his career at Highlights for Children and later worked at Scholastic and Simon & Schuster. A graduate of Middlebury College in Vermont, he has a Master’s degree in Children’s Literature from Simmons College in Boston. He represents both children’s and adult books in a wide range of genres.
- How the publishing industry works
- How to become a children's book illustrator
- All about picture books
- How to begin a book project
- How to work with a publisher and author
- Planning your illustrations & artistic direction
- Creating appropriate characters
- Drawing from reference & stylizing characters
- Anthropomorphizing animals & making them cute
- Keeping a likeness in your characters
- Convincing emotions and life in your characters
- Developing unity in your backgrounds
- Developing mood and feeling in your book
- Setting up your POVs "camera shots"
- Knowing what to illustrate in the text
- Designing space for text
- Working up from your thumbnails
- Drawing comps and final sketches
- Planning for the climax
- Working with an art director
- Preparing and sending final artwork
- Developing your art style and portfolio
- Marketing methods that work
- Understanding and setting up your social media
- Working with reps and agents
- Attending conferences for marketing
- What your publisher wants you to do
- Libraries, book trailers, & school visits
- The marketing your publisher does
- Book awards and understanding the industry
- Negotiating contracts & Niche books
- Making and submitting dummy books
- Advances, royalties, copyrights, invoices
What this class is about
I had a good laugh during most of the videos. Will and Jake are amazing. This course has really lots of tips, exceptional info about the hows in illustrating...Read More
I had a good laugh during most of the videos. Will and Jake are amazing. This course has really lots of tips, exceptional info about the hows in illustrating, from sketching the pages and spreads for the children book to lots of things that you must consider. A must watch if you want to learn and enter that industry.Read Less
I’ve been studying for years; I even took classes at SVA, but I was never able to get this quality and much content from any class. Will and Jake are also hi...Read More
I’ve been studying for years; I even took classes at SVA, but I was never able to get this quality and much content from any class. Will and Jake are also hilarious. The class is not only the most comprehensive class on the subject, these guys know what they’re doing and learning from them is a pleasure. I have gained knowledge that would have probably otherwise acquired through many years or decades of studies. This, is what you get when you take this class, decades of experience! I can’t thank you enough, Will and Jake. You guys, ROCK! I’m looking forward to Part 2!Read Less
A lot of information about how to start working on a book, making dummy book and thumbnails and how to work to the final stage. Many great tips and a lot of ...Read More
A lot of information about how to start working on a book, making dummy book and thumbnails and how to work to the final stage. Many great tips and a lot of extras. I love this class. The critiqs at the end were also great, what we see and not see, how the colors, lights, compositions and perspective works for us or agains us. What I like a lot, it isn't about whal technic the illustrator uses.Read Less